This week at the movies, we’ve got some unwanted houseguests, in the guise of a guy with a bad case of arrested development ("You, Me and Dupree," starring Owen Wilson, Kate Hudson and Matt Dillon) and a pint-sized thief on the lam ("Little Man," starring Marlon and Shawn Wayans). Will the critics be welcoming, or will they boot these flicks into the street?
Owen Wilson has made a side career of crashing things. He (literally and figuratively) crashed weddings in "The Royal Tenenbaums" and "Wedding Crashers," and now, in "You, Me and Dupree," he’s crashing on the couch of uptight newlyweds, played by Kate Hudson and Matt Dillon (who’s been involved in a "Crash" of his own). The plot involves the recently jobless Wilson, whose free-wheeling antics get under the skin of his hosts. While the critics say "Dupree" is reasonably warm and fun, it’s inconsistent and lacks the real comic punch to be anything more than mildly amiable. At 22 percent on the Tomatometer, "Dupree" may not be for you and me.
Shawn and Marlon Wayans‘ previous film, "White Chicks," has legions of guilty defenders, despite (or, perhaps more accurately, because of) the fact that it’s tasteless, ludicrous, and often downright bizarre. Now they’re back with "Little Man," the story of a diminutive thief who poses as a baby in order to infiltrate the home of a suburban couple unwittingly in possession of stolen goods (said couple wisely takes the baby in, despite the fact that he has a mouthful of teeth). The question among critics is not whether "Little Man" is a good movie, but whether it contains laughs. Many say no, some resoundingly so, but for those of you who treasure lowbrow humor, politely ignore "Little Man"’s Tomatometer of 20 percent.
Also opening this week, albeit in limited release: Francois Ozon‘s latest, "Time to Leave," is at 87 percent on the Tomatometer; "Gabrielle," starring Isabelle Huppert, is at 73 percent; "Changing Times," starring Catherine Deneuve and Gerard Depardieu, is at 70 percent; the black comedy "Mini’s First Time" is at 50 percent; the David Mamet adaptation "Edmond" is at 33 percent; Ed Burns‘ latest guy-bonding flick "The Groomsmen" is at 29 percent; and the sex comedy "The Oh in Ohio" is at 24 percent.