There’s so much great stuff on TV, we know. But as cord-cutting becomes more common and networks like Starz, FX, HBO, and CBS decide to stop playing nice with the likes of Netflix and launch their own streaming/subscription video on demand (SVOD) platforms or other over-the-top services (OTT), the question is becoming less about what to watch and instead about where to find it.
Some choices are obvious, brought to you by established major media brands and are already very much a part of pop culture vernacular. Sony Crackle is where to find new shows like its serialized adaptation of the Guy Ritchie movie Snatch (33% Tomatometer) starring Rupert Grint (the Harry Potter franchise’s Ron Weasley) and classics from its library like Seinfeld. Facebook Watch is relatively new to the original content game, but offers dramas like Sacred Lies and the new Elizabeth Olsen–Kelly Marie Tran series Sorry for Your Loss.
And there’s more to come. Disney will launch its own streaming site next year, an as-yet-to-be-named repository of its big-budget productions that should not be confused with the DisneyNow app for its children’s programming. Disney reportedly plans to include some TV properties.
DC Universe launches September 15 — appropriate, as DC Entertainment had already reserved that time as Batman Day. Among its original series is Titans, a live-action series featuring the Teen Titans characters that hits the site on October 12. (Read our coverage “New DC Universe Details and Photos Released, Beta Access Sign-Up Opens.”) Apple’s embracive upcoming programming slate includes partnerships with both Oprah Winfrey and Steven Spielberg. And, after licking its wounds from failures like Seeso, NBCUniversal apparently considered a streaming service that would pay you to watch it. The NBC app, where you can watch reruns of Heroes and Saved by the Bell as well as current shows like This Is Us, already exists.
(Rotten Tomatoes is owned by Fandango, a division of NBCUniversal that includes film and television on-demand streaming service FandangoNow.)
Some of the biggest media brands also offer demographic-focused streaming services, including live sports site ESPN+, upcoming opinion site Fox Nation, Viacom’s kid-focused Noggin, and, soon, a new classic movie service from WarnerMedia will pick up where the beloved cinephile site FilmStruck left off.
There are also more all-encompassing options like Sling TV, PlayStation Vue, and Pluto TV (the latter of which has expertly curated channels, such as Adam Carolla’s new one for car buffs called Chassy). And, in perhaps the ultimate example of clearing the clutter, the service VRV will bundle your select streaming video on demand and fandom content. (One of the service’s most recent developments is the addition of NickSplat, a channel featuring Nickelodeon kids’ content from the 1990s, including AAAHH!!! Real Monsters, CatDog, Doug, Rocko’s Modern Life and The Wild Thornberrys).
“With SVOD, if you look at the failures, these are things that are pitched at mainstream, big-stream audience [like Seeso or Verizon’s go90], and they just couldn’t make that work,” says Todd Spangler, Variety’s New York–based digital editor. “On the nichier side of things … I think those are genuine, niche genre categories that can support a smaller subscription base and be profitable. They’re not going to be Netflix, but —”
What kinds of niche content options are we talking about, exactly? We’ve rounded up some examples of the diverse specialty streaming sites available. Not specific enough? You can always watch that one Roku channel that only airs episodes of the old game show What’s My Line?
This is “a place for fans,” says Adam Rymer, president of Legendary Digital Networks which owns Alpha. In addition to programs that are a part of already well-known internet properties Nerdist and Geek & Sundry — the latter of which just launched the new sci-fi scripted series SONA – Rymer tells Rotten Tomatoes that his subscription-based streaming platform also draws in fans of role-playing games with series like Spellslingers, Critical Role, Sagas of Sundry: Madness, and We’re Alive: Frontier. He adds that “the future of Alpha also holds exclusive new series, returning favorites, and game-changing programming that truly evolves the way fans experience content.” One of those, just announced, is a weekly interactive live-action series, Orbital Redux, premiering September 27 and starring Yuri Lowenthal (Marvel’s Spider-Man).
This SVOD service, which launched in 2017 as a partnership between BBC and ITV, is a speedy fix to anyone craving classic British programming. “What sets us apart from all the others is our ability to present many of these shows within hours of their U.K. premiere,” BritBox North America president Soumya Sriraman told journalists at the winter 2018 TCA press tour. Highlights include Are You Being Served? and Fawlty Towers (100% Tomatometer), as well as newer titles like NW. Based on Zadie Smith’s award-winning novel, this all-too-topical drama explores issues like race and class and starred Luther’s Nikki Amuka-Bird and Black Mirror’s Phoebe Fox.
Launched in 2006, this streaming favorite is synonymous with anime and anime-related products like manga, TV dramas, and music. Still, given the plethora of options available from those markets, Crunchyroll head of business operations Brady McCollum tells Rotten Tomatoes that it becomes a “mix of art and science” to find which programs best fit their TV options. While some titles on the site are expected hits — Dragon Ball Super, Attack on Titan, My Hero Academia — the fans have been known to surprise them (recent examples include Darling in the Franxx and Megalobox). McCollum says the team also “see(s) a bright future in creating originals for our passionate community to come together through extraordinary content” and will soon launch Crunchyroll’s first original series: High Guardian Spice, which is about four girls who learn about friendship and allegiances while studying sorcery and battles.
One of many over-the-top platforms to celebrate all things Bollywood films and other regional programming, Eros grew out of film production company Eros International and, as of the end of 2017, has 5 million paid subscribers. It also has a lengthy list of television shows and original programs, including original series like Black & White — a chance to watch candid interviews with Bollywood stars and other personalities — and sudsy dramas like Kuch Na Kaho, a love story about a couple whose families try to tear them apart, and Pakistani family drama Sadqay Tumhare.
This Philadelphia-based streaming service is geared toward gay men. And while it has tons of art house flicks of pretty much any genre that celebrates or highlights characters who happen to be gay, its television vertical is more about original programming with a dose of name brands like the original Queer as Folk. “When we do our original content, we steer toward episodic because it’s more interesting and it keeps customers attached to the site longer,” says Dekkoo COO Brian Sokel, adding that this also came from necessity as not a lot of TV feature diverse gay characters. “What we find from subscribers is they are looking for content that’s for a gay audience … but they want to be able to see content that’s not about a coming out story; it’s just gay characters in larger stories.” Original series include the dating competition series Love Is Blind and the 20-something comedy I’m Fine.
Just like its name suggests, this Warner Bros.–owned streaming site is all about the drama – and it’s not picky about what country offers it. Although it originally started as a way to feed an international audience’s need for Korean soaps, DramaFever’s website now boasts that it offers “13,000+ episodes from 60 content partners across 12 countries.” And don’t think the United States isn’t complicit in this phenom: Earlier this year, DramaFever announced a deal to house past seasons of ABC’s The Bachelorette. They also produce or co-produce original series like Heirs, a Gossip Girl–like soap about teenagers of the rich and powerful at a tony high school. Updated: On October 16, 2018, Warner Bros. announced it is shutting down DramaFever.
A competitor of DramaFever that launched last year as a partnership between South Korea’s three major networks, the Los Angeles–based Kocowa offers a way for those outside of that country to catch its most popular programming just a few hours after they first air. KunHee Park, the CEO of parent company Korea Content Platform recently said that the service will reach half a million registered users this year – the majority of whom are young, female and not Asian. Popular programming include variety shows like Running Man and dramas like Wok of Love. Kocowa also has licensing deals with similar services, like the Asian TV powerhouse Viki.
Kevin Hart and studio Lionsgate launched this OTT streaming service in 2017 as a way to showcase content that the comedian endorses and curates. (This is kind of Hart’s thing; he also hosts Comedy Central’s Kevin Hart Presents: The Next Level, which spotlights up-and-coming talent.) Among the programs on LOL are the hidden-camera show Lyft Legend, where Hart himself goes undercover as a rideshare driver, and the brilliantly named Black Geo, in which the folks from the comedy collective Dormtainment investigate stereotypes surrounding black culture. There are also comedy specials from Sasheer Zamata, Cameron Esposito, Tom Segura, and more.
Nosey may not be the place to find the most high-brow and intellectually stimulating programming, but have we got a service for those who like to watch hour after hour of men sweating it out over paternity tests. This free app, which is available on the likes of Roku and Google Play, is a carefully curated list of programming like Maury Povich, Jerry Springer, Cheaters, and even episodes of Match Game and Family Feud — so pretty much every program that would make your family seem like one in Andy Griffith.
An OTT service that’s willing to bet big on the niche factor? Sam Simmons, VP of content for Poker Central, which oversees PokerGo, says the goal of his service is to “combine the existing television success of longstanding programs like the World Series of Poker with world-exclusive original programming, in order to create a year-round entertainment destination for the game that excites both the most passionate fans and casual enthusiasts.” This means they offer over 100 days of live poker coverage as well as original series like Hand Histories, a new series that looks at real-life gamblers and their stories.
Alia J. Daniels and Chris Rodriguez, two of Revry’s founders, tell Rotten Tomatoes that the goal of their LGBTQ-themed streaming service is to be as inclusive as possible. This isn’t just in regards to gender and sexuality; Revry also strives to highlight racial and ethnic diversity. “I think a driving force behind our programming is reflecting the community as we are as opposed to what’s trendy or what big-wig execs think is marketable,” Rodriguez says, adding that this means they have to have original series because they learned “early on” that options from mainstream outlets were limiting. And while they do have name-recognizable content like the original Queer as Folk and Gay of Thrones, the popular Funny or Die webseries from Queer Eye’s Jonathan Van Ness, Rodriguez and Daniels point to other titles in their catalogue like the drag-themed docu-series, Queens of Kings, and Before I Got Famous. That web series stars Xingcheng You, a Chinese immigrant who is both looking for love and his big break in Hollywood, and focuses on stereotypes that still exist in the gay dating culture.
Rooster Teeth was launched in 2003 by some friends who wanted to be the next Quentin Tarantino or Kevin Smith but couldn’t get into festivals. Co-founder Bernie Burns told journalists at the summer 2018 Television Critics Association press tour that their service took off when “we discovered and pioneered a method of animation where we could use the 3D gaming engines in popular video games to make animation.” This led to what he touts as the longest-running digital series ever, the military-themed sci-fi comedy Red vs. Blue. They also have reality series, live-action shorts, and more.
Who needs reboots when you can have the classics? The TV vertical of this digitized tribute to old-school charm has everything from cult classics like Mystery Science Theater 3000 (85% Tomatometer) to relics from the years of rabbit ears like Father Knows Best and Car 54, Where Are You?. There’s also original programming like Why We Love It, a web series that strives to justify users’ love for programming of acquired taste like Rowan Atkinson’s Mr. Bean and the Nicolas Cage–Jennifer Beals campfest Vampire’s Kiss (61% TM). Gene Pao, Shout! Factory’s senior vice president of digital media, says that, “over the years … we’ve found that viewers are particularly interested in ‘modernized nostalgia’ — cult and classic TV and film that shape today’s pop culture.” Shout! plays into this with marathon viewings like MST3K Turkey Day on Thanksgiving, during which Pao says “viewers can interact with each other via chat.”
This AMC-owned streaming service celebrates the worlds of gore and supernatural. And while it doesn’t have its parent company’s juggernaut, The Walking Dead, its TV section does live up to its promise of offering “a constant stream of killer content.” Titles include Nick Antosca and Max Landis’ nightmarish Syfy series, Channel Zero (89% Tomatometer), and the documentary series Robert Kirkman’s Secret History of Comics as well as original programming like its anthology, Neil Gaiman’s Likely Stories, and a lot more to come (recent announcements include partnering with TWD’s Greg Nicotero on a revamp of the classic Creepshow). Shudder general manager Craig Engler says “we can do shows that other people can’t” because they aren’t as beholden to ratings (although he says that the Channel Zero debut “was the most-watched series in the history of Shudder”). They’re also willing to share. Shudder and sister service Sundance Now (see below) recently announced the joint acquisition of the Matthew Goode–Teresa Palmer series, A Discovery of Witches.
A SVOD companion to SundanceTV, general manager Jan Diedrichsen told journalists at the winter 2018 TCA press tour that the goal of both is to find a way to “best serve fans of premium indie content in a deeper way.” This service is the home for original programming like This Close (100% Tomatometer), a rom-com of sorts about two best friends and their relationship woes that’s based on series of shorts from the 2017 Sundance Film Festival. There are also series that originated on its linear channel counterpart, like the Joanne Froggatt–Ioan Gruffudd thriller Liar (62% Tomatometer) and other fine options.
Grab the macarons and red wine! This Paris-based network offers a way to watch popular French series with the aid of subtitles (and without the need of a passport). Streaming subscriptions are available through Sling’s French TV packages, and programs include the drama Cut!, which captivated audiences when it premiered in 2013 thanks to its use of second-screen viewing to further the story, and the female-friendly police drama Les Dames.
Despite its title, UMC actually has a rather robust TV section as well. These include episodes of WE tv’s long-running reality series, Braxton Family Values. Original series include the soap opera The Rich and the Ruthless, directed by Young and the Restless alum Victoria Rowell, and drama 5th Ward, which is based on director Greg Carter’s similarly named movie. “We pay very close attention to viewership trends and feedback from our subscribers to understand what’s working and what’s not and use that as a guide for greenlight decisions on any new or classic series,” UMC General Manager Sylvia George says, adding that their primary target audience is black women. “At a high level, the type of programming that resonates with UMC viewers ranges from romantic dramas and comedies to female-driven stories to series that push the envelope in a compelling and relatable way.”
Want to be the authoritative TV expert at dinner parties, but don’t have time to watch all those shows? Let Walter Iuzzolino be your inner bespectacled know-it-all. The Italian-born, England-based cinephile has made a career (and, in a partnership with the UK’s Channel 4, a streaming service) out of finding the best programming from around the globe before you or Netflix does. Iuzzolino launched the service as a way to put all the best, high-brow content in one place — a handy contrast, he says to these “brilliant, but giant offerings” like Amazon and Netflix “where you can be slightly overwhelmed and it’s very algorithm-driven.” Some of the more popular programs on Walter Presents include Swedish psycho-thriller Modus, Norwegian medical drama Valkyrien, and French political drama Spin.