Exclusive: McG Talks Terminator Salvation

RT sits down with the much-maligned director planning to make good.

by | March 26, 2009 | Comments

Exclusive: McG Talks Terminator Salvation

The news that one of the greatest sci-fi franchises of all time was to get a full-fat reboot predictably sent cyborg fanboys into paroxysms of joy. For about 10 minutes. That Arnie, otherwise engaged running the world’s fourth largest economy, wouldn’t be back was partly compensated for by the casting of Christian Bale. But the revelation that McG was to be at the helm put an abrupt stop to the celebrations. Recently, though, the tide’s been turning with trailers and longer assemblages revealing a gritty war movie with more in common with Mad Max and Children of Men than Charlie’s Angels. RT talked exclusively to the much-maligned McG about the rise of his machines…

Terminator Salvation


Pitch Terminator Salvation to us.

McG: The whole idea for doing this movie is to honour the first three movies but begin again. The big difference is we’re post-Judgement Day, whereas the other pictures were all contemporary, with Terminators coming back in time. It’s deep post-Judgement Day, it’s a new beginning, and because the future is malleable, there are a great many places to go.

One of the joys of this picture is it explores the space between Judgement Day and the becoming of the T800. So we get to see all the research and development that went into the proficiency of the T800. It’s like an Apple computer; the first ones you got 15 years ago had 2 megs of memory, and they weren’t so fast. And now today it’s the Macbook air and it does back flips. You know, it’s the same thing with the Machine world. And it suggests a world that’s less based in science fiction than it was when Jim Cameron was making the movies.

How do you mean?

McG: Well we live in a time where if you have an arthritic shoulder, they’ll give you a new one. We can make a 70-year-old woman pregnant, and deconstruct the human genome. And certainly the days of talking to a psychiatrist about your mommy and daddy issues are over — they just want to manipulate your serotonin levels. And therefore it’s real — it’s here. It’s now. That wasn’t the case when Ridley Scott made Blade Runner, or the first Terminator pictures, or even when the first Matrix came out. So in response our film was designed to have that tactile reality of Children of Men, or even the Bourne franchise.

Terminator Salvation
Christian Bale and Sam Worthington in Terminator Salvation.
Click here for more Terminator Salvation images.

Are there obvious elements in the previous movies that have to come back into play in yours?

McG: Certainly. We pay off a great many things that are established — particularly with Kyle Reese. We talk about the mythology of his shotgun strap, his proficiency for stealing cars, and we see where he learned a lot of these skills. And it wasn’t from Connor, it was from the Marcus character, which is one of the joys of the picture. We cite “Pain can be controlled, you just disconnect it,” you know, and we realise where he got that, and there’s a great many tidbits for the hard-core fans out there. But it’s designed as well for people who don’t know that much about the ins and outs of the first films.

Any “Hasta la vista, baby” moments?

McG: We’re working on a few. But I would never be so bold as to say we’ll have that good fortune of, you know, stuff sticking around to that degree. [Laughs]

You’ve got a really talented team of writers on board.

McG: Yeah, we wanted it to be written with the deftest pens possible. There’s a writing team called Ferris and Brancato that wrote the original draft. Then when I got involved, I brought in Paul Haggis, we worked for about 2 months on the script, with Christian as well. He taught us a great deal about character. Then we brought in Jonathan Nolan — who wrote the Batman pictures, Prestige, and largely Memento. So it’s a very cerebral bunch that’s here to make a film of the highest quality.

Continue onto the next page as McG talks about the challenges of shooting the film, his approach to CGI and whether he could take Linda Hamilton in a fight.

Exclusive: McG Talks Terminator Salvation

Terminator Salvation


What were the most complicated scenes to shoot?

McG: Well a lot of the scenes take place in one shot, and figuring out places to hide the cuts… Again, I go to Children of Men — the car sequence, where the motorbikes come, and Julianne Moore is shot, and the whole thing plays in one shot. Figuring that out is very difficult, and you’ve got to figure out exactly where you’re going to have your blend points; you need to measure everything off, and consult with the visual effects people.

There’s a big gas station sequence that had that, and that was very, very tedious, and very, very technical filmmaking. And that’s why I love this film — one day we’re shooting a very intimate, character-driven scene, and there’s nothing going on but Connor and his wife in a room, and she’s the only one he can talk to about what’s on his mind. And then the next day we’re, you know, blowing up half of New Mexico, and going to a place of extraordinary action. So those are decidedly different hats to wear, day in, day out.

Do you deliberately do as much physically as you can? George Lucas would shoot the whole thing on a green screen, with guys wearing ping-pong balls…

McG: I say with respect to George Lucas, who I adore, I don’t like that at all. This is why Stan Winston‘s team is here. We do as much practically and in camera as possible. I want the machines to be real and we built all the machines. We built all the prosthetics. And then they’re accentuated and added to, certainly.

Terminator Salvation
Christian Bale in Terminator Salvation.
Click here for more Terminator Salvation images.

McG: I believe in visual effects completely. But I just don’t believe in saying, “throw up the green screen, and let’s make it happen.” I think the audience has become so skilled in recognising that – they sniff it out and it loses its potency. We’re going to have 800 CGI shots in this — I mean it’s a CG festival, that’s why I brought in the best minds in the business to come in and get it done – but we don’t just say, “put a blue sleeve on the Marcus character,” I mean — the guy spent six hours in make-up.

How do you inject humour and warmth into this universe?

McG: I don’t. There’s not a great deal of humour and warmth in this universe. It’s very largely influenced by the Cormac McCarthy novel The Road. It’s designed to feel that way — detached and existential, it’s got a great deal of Camus’ The Stranger in it. But there’s a gallows humour. We could all be in a bunker somewhere, and every now and again, you elbow the guy next to you and you make a wisecrack — what else are you going to do? It’s one of the defining characteristics of being human, even in the face of death. But the movie is designed to be very serious and very credible.

Could you take Linda Hamilton in a fight?

McG: Most certainly not. After those pull-ups in the psychiatric ward, I don’t think I could make that happen.

Terminator Salvation is released in the US on 21st May, in the UK on 3rd June and in Australia on 4th June.

Tag Cloud

GoT BET football critics Turner Classic Movies true crime Mudbound nbcuniversal RT History Emmy Nominations Extras Captain marvel YouTube New York Comic Con TCM reviews TruTV sequels YouTube Red Ghostbusters franchise comic Television Academy 24 frames sports Star Trek Biopics Starz Columbia Pictures Quiz Western Sundance TV CBS Trophy Talk Spectrum Originals Britbox composers Marathons hispanic The Walking Dead Holiday Disney streaming service IFC Countdown Pirates CNN movies romantic comedy cartoon A&E Comic Book ITV SundanceTV Year in Review Pet Sematary CBS All Access cults Sony Pictures El Rey Paramount Network serial killer American Society of Cinematographers The Purge Endgame USA Spike Film Festival adventure Opinion 45 batman universal monsters ratings TCA Awards CMT Peacock Netflix Christmas movies 2015 Elton John TV nfl fast and furious Mary Poppins Returns Cosplay Brie Larson LGBT MSNBC historical drama streaming ABC Musicals Mystery 20th Century Fox natural history directors Disney cancelled television 21st Century Fox documentary screen actors guild Vudu Apple ABC Family toy story GIFs Comedy Awards NYCC WarnerMedia OWN The Witch finale Pride Month Stephen King TCA Winter 2020 Cannes Nat Geo cancelled TV series psycho classics Travel Channel free movies Binge Guide harry potter halloween ESPN Paramount christmas movies scorecard green book aliens toronto ghosts Lifetime Christmas movies stop motion revenge spain SDCC E3 Black Mirror Winners movie Adult Swim Song of Ice and Fire Amazon Prime Video video DGA die hard latino Polls and Games blaxploitation Creative Arts Emmys BBC One X-Men worst strong female leads Christmas scary movies BBC America cats Awards Tour canceled dark The CW Black History Month films Reality versus Drama slashers BBC Chilling Adventures of Sabrina 2018 elevated horror miniseries Amazon Studios Tarantino APB OneApp docudrama dramedy talk show Rocketman Hallmark Christmas movies 2016 Best and Worst hist Martial Arts doctor who child's play Box Office facebook TNT Marvel richard e. Grant Showtime zombie Women's History Month spy thriller Academy Awards Toys FX on Hulu VICE Apple TV+ south america BET Awards dceu CW Seed Writers Guild of America Walt Disney Pictures Rock Election Lionsgate PBS politics Film Television Critics Association FOX what to watch Sci-Fi TLC Amazon robots Esquire technology 71st Emmy Awards Amazon Prime crime thriller Unbreakable Kimmy Schmidt Marvel Television Comics on TV zombies Food Network tv talk cars Trivia boxoffice Oscars adaptation documentaries disaster war TV renewals Music social media HBO Go best Nickelodeon breaking bad Fox News travel Reality Competition Crackle kids Hear Us Out Lucasfilm WGN Pop nature MCU Holidays NBC cancelled TV shows indie Arrowverse satire Bravo Action spanish language 2017 Superheroe A24 renewed TV shows children's TV DirecTV sag awards TBS dc SXSW Turner science fiction series Disney Channel crossover Tubi Premiere Dates discovery IFC Films DC Comics VH1 2019 worst movies crime drama blockbuster Photos video on demand canceled TV shows San Diego Comic-Con Mindy Kaling comics Avengers political drama dogs witnail Musical cancelled E! screenings Red Carpet Character Guide supernatural VOD binge Star Wars teaser President Valentine's Day HBO TIFF sitcom TCA Dark Horse Comics First Look news Sundance Now LGBTQ Interview RT21 cooking Warner Bros. game of thrones Video Games Kids & Family Logo USA Network Fall TV Disney Plus emmy awards anthology spider-man Marvel Studios casting mission: impossible remakes independent Horror parents twilight spinoff asian-american Chernobyl First Reviews thriller Lifetime Funimation Spring TV Super Bowl police drama Superheroes Rom-Com rotten movies we love Anna Paquin 2020 sequel Netflix See It Skip It Summer Shudder FX mutant jamie lee curtis TV Land comedies 72 Emmy Awards DC Universe space 007 golden globes Nominations YA indiana jones medical drama FXX The Arrangement Calendar festival based on movie Classic Film stand-up comedy Sneak Peek Tumblr superhero Watching Series book Comedy Central Universal Shondaland cops Grammys Rocky Ellie Kemper Teen award winner stoner YouTube Premium theme song unscripted rotten Ovation Family Trailer Discovery Channel Winter TV singing competition quibi hollywood Mary Tyler Moore joker BAFTA Masterpiece foreign HBO Max Schedule Tomatazos Acorn TV vampires venice Set visit justice league Cartoon Network diversity Certified Fresh AMC psychological thriller Epix PlayStation Mary poppins festivals Country Hallmark Podcast biography Thanksgiving Animation TCA 2017 Heroines History Disney+ Disney Plus GLAAD game show Pop TV reboot anime 4/20 zero dark thirty DC streaming service PaleyFest Infographic comiccon all-time Freeform Pixar concert Crunchyroll a nightmare on elm street chucky obituary animated television Sundance name the review cinemax Hulu Syfy Baby Yoda Emmys dragons Apple TV Plus romance laika National Geographic transformers mockumentary Fantasy period drama crime MTV werewolf criterion