Know Your Critic

Know Your Critic: Rolling Stone Senior Editor David Fear

Fear talks screening and reviewing habits, all-time favorites, and what movie he thinks best represents the 2010s.

by | January 17, 2020 | Comments

(Photo by Paramount Vantage, 20th Century Fox, Universal Pictures)

“Know Your Critic” is a new column in which we interview Tomatometer-approved critics about their screening and reviewing habits, pet peeves, and personal favorites.

When David Fear moved to New York 16 years ago, he was intending to continue freelance writing and keep his “day job.” Fate had other plans.

He decided to move from California on a Friday, and on the following Monday, a position opened up at entertainment and “things-to-do” magazine, Time Out New York. When it came time for his move across the country, things fell right into place: By the time he got the call for an interview, he could already tell them his new address in the city.

“You can be a film critic anywhere,” he told Rotten Tomatoes, “but there really is something about being in New York and being at the Film Forum, seeing a recently restored version or our print of Army of Shadows that you really just kind of feel like, Oh, I’m in Film Nerd Heaven.”

David Fear is now a Senior Editor and critic at Rolling Stone, and the former Film Editor of Time Out New York.


What’s your personal record for most movies seen in a day?

When I was younger and much, much more full of piss and vinegar, I think I did a six-film day at Sundance once. It might have been my first or second Sundance back in 2004, 2005. I don’t recommend it.

If you ate six meals in a day, they could be the greatest meals in the world. They could be five-star chef meals. But you’ve stopped tasting it after a while and it just becomes shoveling food into your mouth and going, “Oh my God, when is this going to end?”

I found that when I would start doing more than three, maybe four movies a day at a festival, I would stop tasting the food.

Do you prefer 3-D or non–3-D screenings?

Do you even have to ask that? I’ve actually gone out of my way to see to 2-D screenings because, here’s the thing, with very rare exceptions, there’s only really three movies that you absolutely, positively need to see in 3-D.

There’s really no point to seeing Avatar unless you’re seeing it in 3-D. It’s a bad movie, but how he uses 3-D to really immerse you in a bad movie that he’s made is remarkably impressive.

Are you pro– or anti–note-taking?

I don’t understand how you can do this gig and not take notes. If you’re really serious about potentially wanting to do this, practice writing stuff in a notebook without looking at your notebook. I’m very, very pro-note taking – so long as it’s not with one of those light pens. Man, f–k those light pens.

You’re sitting down to write. Would you prefer a shot of espresso or alcohol? What’s your spirit of choice?

Espresso for writing and then bourbon for transcribing. It makes the activity of transcribing so much less painful.


(Photo by Paramount Vantage)

What’s the hardest review you’ve ever written?

If I still had a chance to work on and revise my There Will Be Blood review, I would still be doing it. Not only because it’s just one of my favorite films ever, but there’s so much going on and it’s such a slippery film for me to try and really grasp and write about in a way that feels articulate and as close to complete as possible.

I still have nightmares about writing that review and really feeling like I hadn’t quite gotten it yet. Not that I hadn’t got the movie – I knew exactly how I felt about the movie – but to try and translate that into a piece, and explain why I think it’s one of the great artworks of the 21st century to date was… I still have nightmares about it.

Someone that everyone should follow on Twitter?

I’m biased because I know him, but Justin Chang [of the Los Angeles Times]. To my money, there’s just not a better film critic working today than Justin. You should follow him on Twitter for the puns – not just the fact that he’s one of the smartest, funniest film writers today, but he is like a God-level pun maker. His punny games, his punny business is just absolutely insane.

Up-and-coming critic that you think people should read?

There are two young critics that I hope people are paying attention to.

I hope people are reading Kameron Austin Collins, he’s one of the film critics for Vanity Fair. I ended up meeting him and found out he was only in late 20s. I was just like, “Oh my God. If you’re writing at this level in your late 20s, you’re going to be a f–king monster in the next 10 years.”

I would say the same about Monica Castillo. She’s all over the place byline-wise, but she’s one of those people I feel she’s maturing really beautifully as a writer.


(Photo by Paramount Pictures)

Do you have a favorite classic film?

I could watch The Lady Eve every single day for the rest of my life and never get tired of it. There are a handful of films that I feel are as close to perfect as humanly possible, and The Lady Eve is one of them.

It’s such a cliché answer, but I’ve probably seen The Godfather close to a hundred times and that’s barely an exaggeration. Between that and the second Godfather film, I almost feel like I can quote most of them off the top of my head.

Is that the movie you’ve watched more than any other?

Yeah, that would have to be it. There’s a couple of movies that I’ve definitely gotten into the double digits with. I’ve seen Dazed and Confused a lot because it’s a comfort movie. I can sink into that movie.

Is there an actor, director, or screenwriter whose work you always love?

The closest thing I would say I have to a favorite filmmaker – and take that phrase with a huge grain of salt – would be Yasujirō Ozu. I feel the movies he makes were reverse-engineered for me.


Star Wars: Episode IV - A New Hope, 1977 (20th Century Fox Film Corp.)
(Photo by 20th Century Fox)

Do you have a favorite movie from your childhood?

I remember seeing Monty Python and the Holy Grail on PBS one night… I watched that constantly as a kid. You know when you found something that’s your sense of humor?

And then, because I’m a child of the ‘70s, Star Wars. My parents actually took me out of school to go see a matinee of it the first week that it was open. I had no idea what I was going into and as a six-year-old kid and then walked out of it a changed human being.

Is there anything that you consider “required viewing”?

Yeah. Actually, I think it’s out of print now… Visions of Light. It’s a documentary about cinematography and covers the gamut, talks a lot about cinematographers in the ’30s and ’40s, talks a lot about the new Hollywood guys, talks a lot about British cinematographers. It really is this incredible primer that not only is just a beautiful film, obviously, because it’s talking about people who’ve shot movies beautifully. It’s an extraordinary gateway drug.


(Photo by Universal Pictures)

You recently wrote a piece on the 20-year resonance of Fight Club. I’m wondering if there’s a movie released this decade that you think in 10 or 20 years we’re going to look back and think, “That was the 2010s.”

If I had to be honest, I think the movie would be Get Out. It feels like it’s very much a movie for the end of the Obama era and very, very much a movie for the beginning of the Trump era. Never mind that it’s also a really great move and it’s a movie that keeps giving the more you see it, and it’s so beautifully constructed. It works well as a horror film, works well as a satire, works well as social commentary, and worked well as a personal expression of the sensibility of the person who made it.

What’s the biggest misconception you hear about critics?

That we hate movies. It’s really the opposite. I think a lot of us love the art form enough that when we see it used badly, we feel we need to call it out. I don’t trust the critic that doesn’t live, breathe, eat, and s–t movies.

What are you most proud of in your career so far?

As an editor, I’m not a religious person but, I think blessed is really the only word I can think of… When I get something from a good writer and think like, “Oh, this is good but there’s a great piece in here. Let’s find this great piece.”

In a way, it’s like you’re not the mother, you’re the midwife – being able to help a really beautiful baby be born into the world by trying to be a good editor. Getting back a second, or a third, or sometimes a fourth draft and finally having the moment where you’re like, “Yes! Holy s–t! You found it.”


David Fear is a Senior Editor and critic at Rolling Stone. Find him on Twitter: @davidlfear.

Tag Cloud

slashers disaster social media dragons doctor who Baby Yoda Star Trek halloween Disney+ Disney Plus name the review Lionsgate composers E3 Polls and Games Adult Swim Fox News RT History Amazon Studios renewed TV shows latino zombie Spectrum Originals Emmys Freeform crossover OneApp Paramount strong female leads 2015 kids psycho Dark Horse Comics Writers Guild of America independent Red Carpet TCA Winter 2020 justice league APB animated cults President scary movies Song of Ice and Fire E! movies Premiere Dates children's TV Summer Chernobyl CBS Pop TV sag awards aliens Fall TV Travel Channel HBO Max X-Men 21st Century Fox Black Mirror Photos Superheroe Action discovery supernatural crime thriller adaptation 2017 Ovation See It Skip It YouTube movie ratings mutant BBC romantic comedy batman Acorn TV werewolf NBC harry potter SundanceTV 2020 USA spanish language unscripted historical drama award winner green book MSNBC cancelled TV shows universal monsters TCM TLC 2016 spinoff Super Bowl Podcast TruTV crime The Arrangement Emmy Nominations LGBTQ Trophy Talk versus richard e. Grant reboot Comics on TV Certified Fresh Schedule Country FX National Geographic christmas movies Drama zombies Britbox RT21 Turner Classic Movies DirecTV Nominations Awards Tour Fantasy Pride Month Syfy Mindy Kaling romance American Society of Cinematographers Video Games reviews TV Land Cannes thriller CNN franchise Box Office natural history binge YouTube Premium Spring TV Martial Arts Toys streaming dogs Netflix WarnerMedia screenings SXSW Cosplay Biopics cancelled TV series Apple TV+ Shondaland Crackle San Diego Comic-Con Film Festival Character Guide Peacock space Reality Vudu true crime screen actors guild A&E Year in Review Creative Arts Emmys Sci-Fi politics Superheroes PaleyFest Mary poppins GLAAD blockbuster A24 Arrowverse Tomatazos serial killer Discovery Channel CMT Valentine's Day Academy Awards hist Christmas Lifetime Christmas movies Sneak Peek Star Wars Horror PBS police drama comic technology TNT CBS All Access cooking Rocketman transformers free movies cancelled television Netflix Christmas movies Family Marathons Columbia Pictures Ellie Kemper docudrama Oscars vampires Lucasfilm elevated horror MCU Marvel foreign dceu Pop Mary Poppins Returns Best and Worst USA Network biography rotten movies we love Tubi nature Apple Heroines theme song Trivia series Stephen King Marvel Studios sports Holiday Esquire video game show The Walking Dead Film ghosts Rocky Rom-Com First Reviews zero dark thirty Bravo TIFF toy story Epix Binge Guide Trailer Avengers medical drama Winter TV 71st Emmy Awards finale Sundance Funimation Countdown Lifetime Amazon TCA Shudder Universal boxoffice Election Turner WGN Nickelodeon Calendar The Witch Rock Masterpiece DC streaming service blaxploitation New York Comic Con Reality Competition Classic Film quibi Comedy AMC talk show based on movie YouTube Red directors ABC Family anime IFC Films Western Comedy Central revenge Pixar Television Academy BBC America First Look Teen GIFs adventure spain Grammys HBO Hulu spy thriller DGA Musicals ITV breaking bad Quiz war Disney Pirates Musical canceled TV shows BET dramedy Unbreakable Kimmy Schmidt travel sitcom Nat Geo Mystery cancelled comiccon Infographic Anna Paquin Disney Plus 24 frames Winners IFC Apple TV Plus VH1 FXX Holidays TCA 2017 TV renewals Ghostbusters Mary Tyler Moore south america Pet Sematary cops stand-up comedy Interview Spike teaser science fiction Brie Larson Extras TBS tv talk Sundance Now Set visit Sundance TV psychological thriller Walt Disney Pictures Chilling Adventures of Sabrina anthology Captain marvel Sony Pictures cartoon The CW mockumentary indie golden globes Disney streaming service documentary witnail Starz Amazon Prime FOX Women's History Month television Mudbound DC Comics 2019 ABC VICE ESPN Marvel Television Black History Month Kids & Family YA Comic Book DC Universe LGBT OWN Endgame TV FX on Hulu 20th Century Fox Elton John canceled Logo cats NYCC hispanic joker Crunchyroll Opinion 007 SDCC comics Cartoon Network miniseries crime drama Showtime period drama Tarantino game of thrones festivals Hallmark Christmas movies Tumblr casting CW Seed MTV El Rey robots what to watch facebook cinemax jamie lee curtis dc History 2018 Warner Bros. Food Network 45 spider-man Amazon Prime Video diversity book The Purge singing competition Animation Disney Channel GoT political drama cars Thanksgiving Hallmark Awards Music Watching Series sequel Paramount Network