News

Westworld First Reviews: Season 3 Gives Series a Clunky Blade Runner Makeover

HBO's sci-fi horror tale sheds some of its previous story's gravitas in its return, offering audiences a high-tech popcorn-thriller instead.

by | March 6, 2020 | Comments

It’s been nearly two years since the second season of Westworld premiered to HBO and a lot has changed. When we last checked in with the series, which was created by Lisa Joy and Jonathan Nolan and inspired by Michael Crichton’s 1973 film of the same name, Dolores (Evan Rachel Wood) and Maeve (Thandie Newton), two robot characters who were initially programmed to bend at the whims of the park’s uber-rich clientele, had become fully sentient with violent results.

Blind with vengeful rage, Dolores went on a murderous rampage. Before ultimately escaping the confines of the Westworld theme park, the killer host pillaged The Forge, the supercomputer holding all of the guest data the Delos corporation had been secretly stealing.  She caused a flood, deleted a whole lot of those data pearls in the process, and installed her consciousness into the host replica of new Delos boss Charlotte Hale (Tessa Thompson) before heading into the Valley Beyond.


Photograph by John P. Johnson/HBO Thandie Newton HBO Westworld Season 3 - Episode 1
(Photo by John P. Johnson/HBO)

Things for former brothel owner Maeve went a different direction, entirely. After her glitch woke her up, the sentient host infiltrated the inner-workings of the park, enlisting Hector, Armistice and the rest of their outlaw gang, as well as Head of Narrative Design, Lee Sizemore,  to help in the search of her long lost daughter. Unfortunately for her, as she closed in on reuniting with the girl, Delores and Bernard (Jeffrey Wright) rained hell upon the park, leaving Maeve shot. As she bled out, she watched her daughter exit the park for greener digital pastures with Native American host Akecheta (Zahn McClarnon).

Discovering they were just pawns in a greater reality out-of-their reach is ultimately what drove each character’s journey after their awakening was complete. For Bernard, the right-hand to park-creator Dr. Robert Ford (Anthony Hopkins), his realization that he was a synthetic being this whole time — one who was created by Ford in the image of his former partner — was one of the show’s big reveals in its first season. This twist (and there were many) led Bernard to enable Dolores on her bloody journey all while attempting to pick up his own mental pieces, while he fell into an identity crisis, of sorts.


Photograph by John P. Johnson/HBO Tessa Thompson HBO Westworld Season 3 - Episode 1
(Photo by John P. Johnson/HBO)

The HBO series delved further the white hat vs. black hat morality play originally introduced in season 1. It also filled in the blanks regarding the political drama unfolding behind the scenes within Delos. Less-than-savory struggles lie behind the character motivations of Charlotte, Dr. Ford’s tenacious young replacement, and Delos investor William (Jimmi Simpson) who evolved into the Man in Black (Ed Harris), the coldhearted gunslinger hell-bent on burning the whole park to the ground.

The series, which puts the concepts of free will, corporate greed, and a towering god complex in a blender, gave viewers plenty of answers in the season 2 finale, only to lead us to many more questions once it all ended. Needless to say, ahead of its highly-anticipated return, which takes the story outside of the confines of the park and adds Aaron Paul (Breaking Bad) to the mix, expectations are running high. Does the new season live up to the hype? Here’s what the critics have to say:


SEASON 3 IS A SLICK-LOOKING CYBERPUNK REBOOT

Aaron Paul, Lena Waithe, Marshawn Lynch HBO Westworld Season 3 - Episode 1 (John P. Johnson/HBO)
(Photo by John P. Johnson/HBO)

Ironically, the best part of Westworld Season 3 might be those overwhelming visual tableaus: the spectacular shots of a copter floating over a metropolis, the romantic European vistas of Maeve’s WWII world, and even the intimate hell that Caleb is going through. Westworld doesn’t just try to show us a haunted vision of the future, but it immerses us in it. — Meghan O’Keefe, Decider

Time has passed since the end of season 2, and we find Dolores dealing with her new life in the outside world. In Los Angeles, everything looks like Tesla’s version of Blade Runner, with Cybertruck police cars carving up a clean, Japan-inspired city. — Jennifer Bisset, CNET

Ironically, the best part of Westworld Season 3 might be those overwhelming visual tableaus: the spectacular shots of a copter floating over a metropolis, the romantic European vistas of Maeve’s WWII world, and even the intimate hell that Caleb is going through. Westworld doesn’t just try to show us a haunted vision of the future, but it immerses us in it. — Meghan O’Keefe, Decider


THIS NEW COAT OF PAINT CAN’T COVER UP SOME CLUNKY STORYTELLING

Westworld wants to generate another existential conversation in Season 3, but even as the show swaps settings and introduces new faces, the details that make it come to life are perfunctory. — Brandon Katz, Observer

Action scenes are slick and easy-to-track, but they’re also detached, lacking the gleeful turns and grand lines that punctuated similar thrills from previous seasons. Backstory that used to be unveiled with a flourish is delivered sans showmanship, which can be refreshing when the new intel doesn’t warrant a whole to-do, but only contributes further to the new season’s straightforward execution. — Ben Travers, IndieWire

Perhaps the flatness of its new setting might have served, or might eventually serve in the season’s second half, as ironic counterpoint: The peculiarity of the robot uprising exists against a backdrop so flat and familiar as to make it all the more intriguing. But what tends to happen instead is that the flatness inflects every corner of the story and sucks away the vibrancy. — Daniel D’Addario, Variety

‘Westworld’ returns with the batteries charged in an energetic start.
Alberto Carlos, Espinof


DOLORES IS A VENGEFUL ROBOT WORTH ROOTING FOR

Photograph by John P. Johnson/HBO Evan Rachel Wood HBO Westworld Season 3 - Episode 1
(Photo by John P. Johnson/HBO)

Season 3 Dolores is a vast upgrade. She’s pissed off, but not blindly ruthless. She’s bent on giving humans what she thinks they deserve, but smart enough to know this world doesn’t operate like Westworld did. This is the kind of Dolores she should have been all along: a victim you feel empathy for with a cause worth fighting for — she’s seen the worst that humans can be and believes her kind is the next step in evolution. She’s not a one-note horseman of the robo-apocalypse. — Tim Surette, TV Guide

Dolores has often been a difficult character to track thanks to her regular identity crises, veering between damsel-in-distress and utterly unsympathetic villain, but in the third season, she finally seems to have hit a pleasant and steady middle-ground. We don’t fully know Dolores’ endgame, but we do know the ruthlessness with which she’ll pursue it and the remarkable capabilities she possesses to see it through. — Haleigh Fouch, Collider


AARON PAUL’S PERFORMANCE IS … FINE

Aaron Paul in Westworld season 3 (John P. Johnson/HBO)
(Photo by John P. Johnson/HBO)

Adding Paul as a new main character seems novel at first, but he quickly takes a backseat to everything else. — Chris Evangelista, SlashFilm

Aaron Paul walks sadly around a skyglass futuretropolis waiting for a popular smartphone app to assign him ATM robberies. — Darren Franich, EW


IT’S STILL COOL AND QUITE CONFUSING

Photograph by John P. Johnson/HBO Marshawn Lynch HBO Westworld Season 3 - Episode 1
(Photo by John P. Johnson/HBO)

There’s still plenty to be confused about. Westworld is 100% back on its bullshit and, depending on how much you like your TV to be a rug-yanking crash course in skepticism, still presents beautiful illusion after beautiful illusion for you to doubt. — Jacob Oller, Paste Magazine

All of the standard questions Westworld brings up in viewers remain: Is this person real or a host? Is this something happening now, or a flashback or flash forward? What exactly is reality, anyway? If something feels real, and affects someone like a real trauma, does that mean it’s real even if it takes place in a virtual playground? — Ron Hogan, Den of Geek

Expect the passions around “Westworld” to erupt once again when Season 3 arrives, confusion reigns and the series’ fans and detractors face off to defend their side. — Lorraine Ali, Los Angeles Times

Westworld season 3 premieres on Sunday, March 15 at 9 p.m. ET/PT on HBO.

Westworld: Season 3 (2020)
74%

#1
Adjusted Score: 77.87%
Critics Consensus: Westworld successfully reboots itself by broadening its scope while tightening its storytelling clarity -- although some may feel that the soul has been stripped from this machine in the process.
Synopsis: The third season of the drama series starts about three months after the ending of Season 2. Dolores (Evan Rachel... [More]

Tag Cloud

Animation FXX SDCC diversity Certified Fresh joker Trivia Disney binge Fantasy Women's History Month mutant Disney+ Disney Plus police drama Trailer Super Bowl Infographic independent 2018 Polls and Games cartoon Holidays Walt Disney Pictures BBC America Elton John cancelled MSNBC HBO Go discovery PaleyFest Paramount Network Syfy Valentine's Day medical drama psychological thriller cats Avengers Academy Awards The Arrangement batman Rom-Com Sony Pictures Lionsgate PlayStation NYCC transformers romantic comedy dogs History Stephen King crime drama werewolf sag awards Video Games WGN Hulu TLC blockbuster Pop game show what to watch fast and furious disaster Lifetime Christmas movies 007 movie Watching Series space reviews Acorn TV WarnerMedia Film Festival Set visit hist TBS spain social media Sundance TV Television Critics Association Song of Ice and Fire Amazon Prime twilight BET Hallmark asian-american theme song documentary Unbreakable Kimmy Schmidt rotten movies we love SXSW teaser Star Trek Tubi The Witch travel zombie mockumentary elevated horror Lifetime Fall TV finale Schedule directors 71st Emmy Awards 2017 IFC Films AMC Baby Yoda Spectrum Originals Marathons crossover quibi Trophy Talk sequels Bravo mission: impossible free movies DC streaming service crime stand-up comedy Quiz Apple TV+ comedies dc Comic Book comics award winner Spring TV Opinion casting Starz Teen comic Pop TV Mary poppins APB facebook documentaries technology spy thriller hispanic Mystery Disney Plus Election Photos foreign Epix dramedy TCM all-time kids E3 YouTube book sitcom RT History BBC One Toys First Reviews Musical nbcuniversal Netflix Christmas movies Endgame Tumblr FOX 21st Century Fox Film TCA Awards cinemax Turner Classic Movies Netflix Red Carpet Lucasfilm political drama NBC classics war FX spanish language Extras Warner Bros. talk show Superheroe emmy awards BET Awards Tarantino docudrama VH1 X-Men GLAAD golden globes Columbia Pictures children's TV LGBTQ psycho OWN witnail animated adventure Box Office Fox News critics indie Heroines A24 Nat Geo Grammys stoner Sneak Peek DC Universe Action CMT dceu movies Ghostbusters Funimation The CW DGA Drama rotten Brie Larson harry potter IFC hollywood GoT cancelled TV shows Universal FX on Hulu Captain marvel Marvel Studios Shudder TCA robots TNT Martial Arts streaming Hallmark Christmas movies Anna Paquin superhero 2016 Pet Sematary PBS vampires ghosts scary movies biography laika CBS All Access video video on demand Disney streaming service sports Comedy Central zero dark thirty Biopics Vudu Countdown ABC Family Horror CBS breaking bad San Diego Comic-Con Country Pirates YouTube Premium LGBT indiana jones Mary Poppins Returns concert First Look SundanceTV YouTube Red Freeform 2020 GIFs miniseries Podcast parents cooking Ovation TruTV obituary Family Christmas BAFTA Pride Month Kids & Family Sundance Sundance Now Musicals franchise Black Mirror Amazon news a nightmare on elm street Travel Channel Cartoon Network historical drama ESPN Nickelodeon Mudbound blaxploitation Crackle Classic Film spider-man Black History Month Thanksgiving BBC politics reboot Emmys Interview serial killer 45 child's play Mindy Kaling tv talk thriller Television Academy comiccon Hear Us Out based on movie anthology doctor who New York Comic Con HBO Max Amazon Studios Character Guide Turner Rocketman Winter TV Superheroes nature Pixar sequel Sci-Fi romance Discovery Channel VICE Peacock Chilling Adventures of Sabrina supernatural Adult Swim USA Arrowverse natural history ITV 72 Emmy Awards Writers Guild of America TCA Winter 2020 2015 El Rey TCA 2017 See It Skip It dragons YA The Purge justice league Disney Channel 4/20 criterion cancelled television CNN Western Marvel name the review toy story south america dark jamie lee curtis Amazon Prime Video Chernobyl aliens Cosplay USA Network screen actors guild universal monsters cults Premiere Dates Apple Crunchyroll Spike National Geographic Shondaland strong female leads Holiday anime zombies TV 20th Century Fox cars canceled TV shows Logo worst Star Wars Best and Worst die hard TV renewals cops chucky 24 frames Marvel Television versus Comedy CW Seed 2019 Masterpiece science fiction canceled Emmy Nominations Comics on TV Creative Arts Emmys Music OneApp Nominations President E! VOD ABC MTV Britbox Apple TV Plus Dark Horse Comics RT21 Rocky Binge Guide TIFF Mary Tyler Moore unscripted Oscars composers Year in Review Esquire green book best Tomatazos Winners satire screenings renewed TV shows DirecTV Paramount richard e. Grant Food Network stop motion Showtime period drama HBO A&E The Walking Dead latino Awards halloween Calendar true crime Awards Tour cancelled TV series Reality Competition DC Comics Rock Reality festivals slashers MCU Cannes American Society of Cinematographers ratings series adaptation television Ellie Kemper crime thriller christmas movies revenge spinoff game of thrones films TV Land boxoffice Summer singing competition