(Photo by NEON / courtesy Everett Collection)
20 Movies To Watch If You Loved Parasite
If you’re looking for more movies like Parasite, you’re not alone. Ever since Parasite‘s arrival in theaters, the Best Picture winner has ignited conversations across America over a range of topics, from fruit allergies to one-inch subtitles to, of course, social class warfare. In the darkly comedic thriller, a family from the slums swindles their way into the graces of a wealthy young family. As the line between street and elite blurs and as the scheme spirals out of control, the viewer is forced to reckon just what exactly is the parasitic entity to which the title alludes.
If you’re looking for more movies to watch after Parasite, we’ve found 20 films which share thematic and atmospheric blood. First recommendation is one of director Bong Joon-ho‘s primary influences: 1963’s twisted, table-turning The Servant. If you’re just starting out with Joon-ho’s filmography, you can start with Snowpiercer, another take on class entrenchment, albeit via hard sci-fi. The South Korean director has yet to make a bad movie, so you might as well continue on with The Host, Mother, and Memories of Murder. Meanwhile, The Handmaiden also hails from South Korea.
Mexico’s The Chambermaid and The Good Girls are parables which shine a light on economic mobility. Same with Japan’s Shoplifters, but with more uplift. The Ruling Class and The Exterminating Angel are both satires of the 1%. And if you liked the surrealism Luis Bunuel brings to Angel, you’ll love to what extremes Sorry to Bother You and Society go to make their respectively bizarre and disgusting cases.
Robert Altman’s Gosford Park takes the most good-natured jabs on the subject, while Jean Renoir’s The Rules of the Game is the most earnest. And if you’re most attracted to Parasite‘s genre elements, it’s hard to go wrong with the wild and wacky Ready or Not, David Fincher’s efficient potboiler Panic Room, or the Coens’ violently absurd Burn After Reading. We’d recommend anything by Joel and Ethan Coen normally, but their remake of The Ladykillers (about crooks who get their comeuppance when they move into an old woman’s house intending to rob her) is a pale imitation of the Alec Guinness original.
And as for how The People Under The Stairs relates… Well, we’ll let you figure that one out.
Adjusted Score: 54.817%
Critics Consensus: No consensus yet.
Blood, gore and violence abounds when a wealthy Beverly Hills teen learns the awful truth about his family after undergoing... [More]
Adjusted Score: 64.365%
Critics Consensus: Held aloft by gonzo black comedy and socially conscious subtext, The People Under The Stairs marks a unique -- though wildly uneven -- change of pace for director Wes Craven.
Wes Craven wrote and directed this surrealistic horror-comedy, which was inspired by a true story of parents keeping their children... [More]
Adjusted Score: 80.146%
Critics Consensus: Elevated by Fincher's directorial talent and Foster's performance, Panic Room is a well-crafted, above-average thriller.
After purchasing a brownstone in New York, a thirty-something divorced woman and her daughter are forced to take advantage of... [More]
Adjusted Score: 87.221%
Critics Consensus: With Burn After Reading, the Coen Brothers have crafted another clever comedy/thriller with an outlandish plot and memorable characters.
At the headquarters of the Central Intelligence Agency in Arlington, Va., analyst Osborne Cox arrives for a top-secret meeting. Unfortunately... [More]
Adjusted Score: 83.782%
Critics Consensus: No consensus yet.
An institutionalized schizophrenic with a Messiah complex inherits the position of an English Earl in this cutting satire of British... [More]
Adjusted Score: 90.397%
Critics Consensus: No consensus yet.
Wealthy wastrel James Fox hires insouciant cockney Dirk Bogarde as a valet. No sooner has he donned his working clothes... [More]
Adjusted Score: 91.114%
Critics Consensus: A mixture of Upstairs, Downstairs, Clue, and perceptive social commentary, Gosford Park ranks among director Altman's best.
Maverick American filmmaker Robert Altman takes a witty and absorbing look at the foibles of the British class system in... [More]
Adjusted Score: 88.219%
Critics Consensus: The Good Girls uses its period setting and specific character canvas to explore the widely relatable struggle for perceived social status.
Adjusted Score: 100.774%
Critics Consensus: Smart, subversive, and darkly funny, Ready or Not is a crowd-pleasing horror film with giddily entertaining bite.
Ready Or Not follows a young bride (Samara Weaving) as she joins her new husband's (Mark O'Brien) rich, eccentric family... [More]
Adjusted Score: 90.407%
Critics Consensus: Memories of Murder blends the familiar crime genre with social satire and comedy, capturing the all-too human desperation of its key characters.
South Korea in 1986 under the military dictatorship: Two rural cops and a special detective from the capital investigate a... [More]
Adjusted Score: 94.349%
Critics Consensus: Societal etiquette devolves into depravity in Luis Buñuel's existential comedy, effectively playing the absurdity of civilization for mordant laughs.
In this jet black and surreal comedy, a formal dinner party starts out normally enough. After the sophisticated guests retire... [More]
Adjusted Score: 97.946%
Critics Consensus: As populace pleasing as it is intellectually satisfying, The Host combines scares, laughs, and satire into a riveting, monster movie.
When a young girl is snatched away from her father by a horrifying giant monster that emerges from the River... [More]
Adjusted Score: 105.832%
Critics Consensus: Fearlessly ambitious, scathingly funny, and thoroughly original, Sorry to Bother You loudly heralds the arrival of a fresh filmmaking talent in writer-director Boots Riley.
In an alternate present-day version of Oakland, black telemarketer Cassius Green (Lakeith Stanfield) discovers a magical key to professional success,... [More]
Adjusted Score: 103.862%
Critics Consensus: Snowpiercer offers an audaciously ambitious action spectacular for filmgoers numb to effects-driven blockbusters.
In this sci-fi epic from director Bong Joon Ho (The Host, Mother), a failed global-warming experiment kills off most life... [More]
Adjusted Score: 102.867%
Critics Consensus: The Handmaiden uses a Victorian crime novel as the loose inspiration for another visually sumptuous and absorbingly idiosyncratic outing from director Park Chan-wook.
From PARK Chan-wook, the celebrated director of OLDBOY, LADY VENGEANCE, THIRST and STOKER, comes a ravishing new crime drama inspired... [More]
Adjusted Score: 98.968%
Critics Consensus: As fleshy as it is funny, Bong Joon-Ho's Mother straddles family drama, horror and comedy with a deft grasp of tone and plenty of eerie visuals.
Hye-ja is a single mom to 27-year-old Do-joon. Her son is her raison d'être. Though an adult in years, Do-joon... [More]
Adjusted Score: 103.04%
Critics Consensus: Its genius escaped many viewers at the time, but in retrospect, The Rules of the Game stands as one of Jean Renoir's -- and cinema's -- finest works.
Now often cited as one of the greatest films ever made, Jean Renoir's La Règle du jeu/Rules of the Game... [More]
Adjusted Score: 108.315%
Critics Consensus: Understated yet ultimately deeply affecting, Shoplifters adds another powerful chapter to director Hirokazu Koreeda's richly humanistic filmography.
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At... [More]
Adjusted Score: 102.605%
Critics Consensus: The Ladykillers is a macabre slow-burn with quirky performances of even quirkier characters.
Music professor Alec Guinness rents a London flat from sweet old lady Katie Johnson. He tells her that, from time... [More]
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Adjusted Score: 101.216%
Critics Consensus: The Chambermaid uses one woman's experiences to take audiences inside a life -- and a culture -- that's as bracingly unique as it is hauntingly relatable.
Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of... [More]